Klingspor: some give the date 1923-1924). Klingspor) and Koch Antiqua fett (1926, Gebr. Klingspor) is the Kursiv version of Koch Antiqua. This gorgeous tall-legged and flared typeface was designed in 1917, but cut in 1922. It was sold by Continental Type in the United States as Eve. Klingspor), Kabel schmalhalbfett (1929, Gebr. Klingspor): LinotypeLibrary, Kabel schmal (1930, Gebr. Klingspor): LinotypeLibrary, Kabel fett (1929, Gebr. Klingspor), Kabel Kursiv groß (1930, Gebr. Dates of the various weights: Kabel Kursiv (1929, Gebr. This version overshadows all previous digital versions or extensions of Kabel. At Linotype, Marc Schütz designed the large family Neue Kabel (2016) that revives Kabel by making it more consistent. The modern Bitstream version is called Geometric 231. The most famous digitization of this Koch Sans family is by Victor Caruso in ITC Kabel (1976), and with its exaggerated x-height, much larger than the original, it is a poor bastard. Klingspor), Klingspor's competing design for Paul Renner's Futura. Jessen Mittel 14 and Jessen Cicero 12 were developed by Alexis Faudot and Rafael Ribas in 2016 during an ANRT workshop in Valence, France.
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See DS-Jessen-Schrift (1998, Christian Spremberg), Peter Jessen Schrift ( Delbanco), Jessica Plus (2002) and JessicaSerif (2003) by Manfred Klein, Peter Jessen Schrift Pro (Softmaker, 2016), and Jessen Schrift (2004, Ralph M. Formerly named Bibel-Gotisch, the type was developed between 19 as Peter Jessen Schrift and released as Jessen in several sizes by the Klingspor foundry in 1930. Jessen Schrift (1924-1930) is a hybrid of gothic (blackletter) minuscules and roman capitals (including the characteristic Basque capital A) designed and cut without preliminary drawings in Offenbach am Main by Rudolf Koch for The Four Gospels, which was printed at the Klingspor press in 1926 and published by Koch himself.Paul Hayden Duensing made Koch Initials (metal). Geschriebene Initialen zur Grotesk (1930, Gebr.Frühling is sometimes called Kartenschrift. For another revival, see Next Stringtime by Manfred Klein (2003). Incredibly, the revival gang was still eager to spring into action: it was revived and interpreted by Frantisek Storm in Monarchia. Klingspor) is a blackletter that seems to have been executed with a shaky hand-it is definitely one of Koch's weakest and ugliest designs. See also Delbanco's DS Deutsche Zierschrift (Delbanco). Revived as Zierinitialen by Dieter Steffmann in 2002. Delbanco revived it digitally as DS Deutsche Werkschrift. Stempel AG): This is really the "mager" version of Deutsche Anzeigenschrift. Stempel AG) and Deutsche Werkschrift hablfett (1934, D. Deutsche Schrift fett, aka Fette Deutsche Schrift, was revived by Dieter Steffmann in 2002 (as Fette Deutsche Schrift) and by Alter Littera in 2012 as Deutsche Schrift. For comparison, here is a phototype version. It was a popular family, known in England as Oxford. Revived by Gerhard Helzel as KochFrakturSchmaleHalbfette (2000), by Christian Richter as Rudolf Koch (2003), and by Delbanco as DS Koch Fraktur. Klingspor) and Deutsche Schrift halbfett (1912, Gebr. Klingspor), Deutsche Schrift mager (1918, Gebr. Klingspor), Deutsche Schrift fett (1910, Gebr. Deutsche Schrift (1908-1921), consisting of Deutsche Schrift schmal (1913, Gebr.Later weights by Koch: Deutsche Anzeigenschrift eng (1923), Deutsche Anzeigenschrift breit (1923, D. revivals include SchmaleAnzeigenschrift (2002) and SchmaleAnzeigenschriftZier (2002) by Dieter Steffmann, and Schmale Anzeigenfraktur (2009) by Ralph Unger. Deutsche Anzeigenschrift ( 1913-1914), Deutsche Anzeigenschrift schmal (1916-1923, D.Dieter Steffmann made Claudius, ClaudiusAlternate, and ClaudiusHeadline in 2003. Based on the latter, Manfred Klein made ClaudiusImperator (2001). Delbanco (as DS-Claudius) and Klaus Burkhardt (1991) digitized it. His son Paul Koch followed Rudolf's instructions to make one weight in 1931-1934. His typefaces, with notes on digitizations: This page lists 158 royalty-free Christian symbols drawn by Rudolf Koch, a religious Lutheran, with the collaboration of Fritz Kredel (1900-1973) (see also here). An early Nazi sympathizer and supporter, Koch's fonts were heavily used by the Nazi regime. These include Kabel (a sans), and Neuland (an angular poster face). Many of his typefaces can be classified as German expressionist. He founded the Offenbach Werkstatt in 1921. Frankfurt, 1934) who worked mainly at the Klingspor foundry. TYPE DESIGN INFORMATION PAGE last updated on
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